The Royal Tenenbaums Soundtrack
The Royal Tenenbaums
The magical triad behind Rushmore's spunky, starry-eyed soundtrack--music supervisor Randall Poster, composer Mark Mothersbaugh, and director Wes Anderson--leaps forward a decade from that beloved soundtrack's '60s gems, in the process adopting a more pensive feel for The Royal Tenenbaums' musical backdrop. It may lack the euphoric sing-along feel of, say, Creation's "Makin' Time," but the rock and folk tracks here perfectly match the film's crumbling characters and their dilapidated relationships. The Ramones' "Judy Is a Punk" is a burst of nostalgic rebellion but surely causes a sad twinge in light of Joey Ramone's untimely death in 2001; gloom-folker Nick Drake's "Fly" and Elliott Smith's excellently depressing "Needle in the Hay"--which is used to chilling effect during a wrist-slashing scene--further deepen the dark thread running through Tenenbaums. But those who prefer the sunny disposition of Rushmore will be thrilled by the calming concoctions of Mothersbaugh, who heralds the coming of a new scene with graceful woodwind/string parts ("Scrapping and Yelling") and playful sitar pieces ("Pagoda's Theme"). Throw in the Clash's squalling "Police & Thieves" and the Velvet Underground's petal-soft "Stephanie Says" and you've got another winning soundtrack from the film biz's most in-tune music lovers. Tenenbaum or not, you can go home again. --Kristy MartinThe Royal Tenenbaums (Collector's Edition)
The magical triad behind Rushmore's spunky, starry-eyed soundtrack--music supervisor Randall Poster, composer Mark Mothersbaugh, and director Wes Anderson--leaps forward a decade from that beloved soundtrack's '60s gems, in the process adopting a more pensive feel for The Royal Tenenbaums' musical backdrop. It may lack the euphoric sing-along feel of, say, Creation's "Makin' Time," but the rock and folk tracks here perfectly match the film's crumbling characters and their dilapidated relationships. The Ramones' "Judy Is a Punk" is a burst of nostalgic rebellion but surely causes a sad twinge in light of Joey Ramone's untimely death in 2001; gloom-folker Nick Drake's "Fly" and Elliott Smith's excellently depressing "Needle in the Hay"--which is used to chilling effect during a wrist-slashing scene--further deepen the dark thread running through Tenenbaums. But those who prefer the sunny disposition of Rushmore will be thrilled by the calming concoctions of Mothersbaugh, who heralds the coming of a new scene with graceful woodwind/string parts ("Scrapping and Yelling") and playful sitar pieces ("Pagoda's Theme"). Throw in the Clash's squalling "Police & Thieves" and the Velvet Underground's petal-soft "Stephanie Says" and you've got another winning soundtrack from the film biz's most in-tune music lovers. Tenenbaum or not, you can go home again. --Kristy MartinRushmore: Original Motion Picture Soundtrack
The Rushmore soundtrack manages to pleasantly skirt the line between sentiment and sentimentality with a nuanced, eminently listenable combo of score and song. The songs mostly blend raw, adolescent urges and insecurity with an awkward grace. Though composed primarily of popular music from the 1960s, none of the selections is a hit of the expected Big Chill variety. In fact, compiler Randall Poster proves himself a '60s pop connoisseur, including little-known gems such as Cat Stevens's buoyant, hummable "Here Comes My Baby" (covered by Yo La Tengo on Fakebook) and the Who 's revved-up, intentionally silly proto-opera "A Quick One While He's Away." The bossa nova folk-pop of Unit 4+2's "Concrete & Clay" is lovingly contrasted by the Creation's blistering, feedback-enhanced hit-that-never-was "Making Time." Devo founder Mark Mothersbaugh's incidental music is nothing short of delightful, but the Rugrats composer clearly comes by whimsy easily. The intriguing thing about Mothersbaugh's score--seven snippets from which are sprinkled throughout the disc--is that it complements the archival tunes while combining Beethoven-lite flourishes and jazzy instrumentation with percolating mod keyboards. Like the film itself, this soundtrack is an inspired, left-field effort, and it's difficult to plot out its many charms. --Mike McGonigalThe Life Aquatic with Steve Zissou
Director Wes Anderson's jewel of a comic-character study revolves around the quirks and obsessions of Bill Murray's titular Cousteau-esque deep-sea adventurer and his motley crew of associates. As they did for the director's equally sublime Royal Tenenbaums, Anderson and music super Randall Poster stitch their eclectic source material into a warm, subtly focused new cinemusic whole. Mark Mothersbaugh's original Casio-baroque cues are the perfect complement for Australian film composer Sven Libaek's compelling slices of vintage exotica, while Ziggy Stardust-era David Bowie largely provides the musical subtext, either directly or in earnest, through live acoustic renditions by Brazilian troubadour/film costar Seu Jorge. Seasoning the mix to near perfection are smart, vintage Britpop contributions by Scott Walker and the Zombies, Iggy and the Stooges thrashing "Search and Destroy," the evocative Iberian fire of Paco DeLucia, and Joan Baez's dramatic read of Morricone's Sacco & Vanzetti theme, "Here's to You." -- Jerry McCulleyThe Darjeeling Limited
Music plays a huge part in director Wes Anderson's meticulously crafted world. For this movie set in India, he's come up with a typically wide-ranging, mind-boggling soundtrack largely culled from the mid-'60s and early '70s, despite the fact that the film is set in the present. Though Indian cinema has come to mean Bollywood for most Americans, Anderson pays tribute to art filmmaker Satyajit Ray by including music from some of his movies, mines the early (1963-1970), lesser-known oeuvre of James Ivory, and features traditional Indian tunes. This may throw fans of Bollywood's more frantic style at first (even if the upbeat go-go "Typewriter Tip, Tip, Tip," co-sung by superstar Asha Bhosle, gets close), but the music's eerie charm works in insidious ways. British Invasion pop, an enduring love of Anderson's, is represented by obscure songs from well-known combos (three cuts from the Kinks' 1970 album Lola versus Powerman and the Moneygoround, Part One), as well as obscure songs from obscure performers, like Peter Sarstedt's 1969 nugget "Where Do You Go To (My Lovely)." Add a fantastic Rolling Stones pop tune from 1965, a couple of Western classical tracks, a popular French hit by Joe Dassin, and you have a CD that's all over the map yet oddly consistent in its eccentricity. --Elisabeth VincentelliMe and Julio Down by the Schoolyard - (From 'The Royal Tenenbaums')
Fantastic Mr. Fox (Original Soundtrack)
ABKCO Records presents the soundtrack to Wes Anderson's first animated feature FANTASTIC MR. FOX, based on the beloved Roald Dahl book. Dahl is probably best known in the U.S. for CHARLIE AND THE CHOCOLATE FACTORY. Academy Award nominee Anderson is best known for his film's Rushmore, The Royal Tenebaums and The Darjeeling Limited. FANTASTIC MR. FOX makes its Atlantic-crossing aboard a magical soundtrack featuring an unforgettable score by award-winning composer Alexandre Desplat, as well as vintage folk, jazz, Pop and rock tracks hand-picked by Wes Anderson and music supervisor Randall Poster. Standouts include an unreleased track by former Pulp founder and frontman, Jarvis Cocker and a classic Rolling Stones track. The film's characters are voiced by an array of Hollywood's finest: George Clooney, Meryl Streep, Bill Murray, Owen Wilson, Willem Dafoe, Jason Schwartzman, Jarvis Cocker and Adrien Brody, among others. Even director/producer Wes Anderson managed to land himself a quick cameo as the voice of Weasel, and one for celebrity chef Mario Batali as Rabbit! As in all things Wes Anderson, music plays a major role in the telling of the tale, or "TAIL" as it recounts the story and the music of FANTASTIC MR. FOX!Life Aquatic Studio Sessions
French-only three disc (two CDs + PAL/Region 0 DVD) box set from the Brazilian artist best known for providing the delightful soundtrack and on-screen musical performances for the quirky film The Life Aquatic. This set features his album Cru (2005) plus the Ao Vivo CD and DVD (2006). Cru was Seu Jorge's international debut, a collection of gentle songs, passionately delivered. Sophisticated and surprising. Intimate and raw. Cru heralds an extraordinary talent. The live album from is a collaboration between Seu and Brazilian vocalist Ana Carolina. Naive. 2007.More results about
The Royal Tenenbaums Soundtrack
:The Royal Tenenbaums (soundtrack) - Wikipedia, the free encyclopedia
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The soundtrack to The Royal Tenenbaums features a score composed by Mark Mothersbaugh. Also featured are a variety of rock songs from the 1960s, 1970s, and 1980s.
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... Mark Mothersbaugh, and director Wes Anderson--leaps forward a decade from that beloved soundtrack's '60s gems, in the process adopting a more pensive feel for The Royal Tenenbaums ...
The Royal Tenenbaums Soundtrack
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Grab the Official Collector's Edition Soundtrack! [ORIGINAL RECORDING REMASTERED]
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The Royal Tenenbaums Soundtrack Posters Book DVD VHS Credits
The Royal Tenenbaums - Wikipedia, the free encyclopedia
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Main article: The Royal Tenenbaums (soundtrack) ... Jason Bateman, one of the show's stars, described the show as "The Royal Tenenbaums ...
The Royal Tenenbaums (2001) - Soundtracks
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Soundtracks for The Royal Tenenbaums More at IMDbPro ยป ... This soundtrack is available from Amazon.com. Please note that songs listed here (and in ...
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Now moving on to the Royal Tenenbaums soundtrack I did the exact same thing. There were 4 Rolling Stones songs omitted, a John Lennon song, Me and Julio by Paul Simon(great ...
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The score to The Royal Tenenbaums was composed by Mark Mothersbaugh. The soundtrack ... The Royal Tenenbaums [Expanded] (2002 Album by Original Soundtrack) The Royal Tenenbaums [Original ...
The Royal Tenenbaums (2001)
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